The New Nationalism and the First World War is an edited volume dedicated to a transnational study of the features of the turn-of-the-century nationalism, its manifestations in social and political arenas and the arts, and its influence on the development of the global-scale conflict that was the First World War.
"Why did the nation-state emerge and proliferate across the globe? How is this process related to the wars fought in the modern era? This book offers a new perspective on these issues. Analyzing datasets that cover the entire world over long stretches oftime, Andreas Wimmer shows that political power and legitimacy are central to our understanding of nation building, ethnic politics and the violent conflicts associated with both. He argues that shifting from dynastic or imperial legitimacy to rule in the name of a nationally defined people was both the consequence and the cause of wars between and within states. Once the 'like over like' principle was established, the ethno-political inequality that characterized nation-states with weak institutional capacity led to further ethnic conflict. Waves of War demonstrates why nationalism and ethnic politics are crucial for a proper understanding of world and domestic politics over the past 200 years"--
This volume considers recent studies that move beyond primordialism and its antithesis, social constructivism, to search for new insights to illuminate the nature of nationalism and its link to war. The authors also explore the role of shared interests, the history of peoples, elites and states, political imperatives, propaganda, and psychological predispositions. This combination provides a brillant, new look at nationalism and war-one that delves deeply into ethnic identity and the willingness of people to fight and die for nation-states.
A major contribution to the literature of Burmese history and politics, this book traces the rich and tragic history of the Mon people of Burma and Thailand, from the pre-colonial era to the present day. This vivid account of ethnic politics and civil war situates the story of Mon nationalism within the 'big picture' of developments in Burma, Thailand and the region. Primarily an empirical study, it also addresses issues of identity and anticipates Burmese politics in the new millennium. A particular feature of the book is its first-hand descriptions of insurgency and displacement, drawn from the author's experiences as an aid worker in the war zone.
Virginia Woolf famously wrote 'as a woman I have no country', suggesting that women had little stake in defending countries where they are considered second-class citizens, and should instead be forces for peace. Yet women have been perpetrators as well as victims of violence in nationalist conflicts. This unique book generates insights into the role of gender in nationalist violence by examining feature films from a range of conflict zones. In The Battle of Algiers, female bombers destroy civilians while men dress in women's clothes to prevent the French army from capturing and torturing them. Prisoner of the Mountains shows a Chechen girl falling in love with her Russian captive as his mother tries to rescue him. Providing historical and political context to these and other films, Matthew Evangelista identifies the key role that economic decline plays in threatening masculine identity and provoking the misogynistic violence that often accompanies nationalist wars.
Offers a new interpretation of the Chinese nationalists, placing their war of resistance against Japan in the context of their efforts to establish control over their own country and providing a critical reassessment of regional Allied Warfare.
This volume considers recent studies that move beyond primordialism and its antithesis, social constructivism, to search for new insights to illuminate the nature of nationalism and its link to war. The authors also explore the role of shared interests, the history of peoples, elites and states, political imperatives, propaganda, and psychological predispositions. This combination provides a brillant, new look at nationalism and war-one that delves deeply into ethnic identity and the willingness of people to fight and die for nation-states.
Virginia Woolf famously wrote 'as a woman I have no country', suggesting that women had little stake in defending countries where they are considered second-class citizens, and should instead be forces for peace. Yet women have been perpetrators as well as victims of violence in nationalist conflicts. This unique book generates insights into the role of gender in nationalist violence by examining feature films from a range of conflict zones. In The Battle of Algiers, female bombers destroy civilians while men dress in women's clothes to prevent the French army from capturing and torturing them. Prisoner of the Mountains shows a Chechen girl falling in love with her Russian captive as his mother tries to rescue him. Providing historical and political context to these and other films, Matthew Evangelista identifies the key role that economic decline plays in threatening masculine identity and provoking the misogynistic violence that often accompanies nationalist wars.
