From plasma screens to smartphones, today moving images are everywhere. How have films adapted to this new environment? And how has the experience of the spectator changed because of this proliferation? In Broad Daylight investigates one of the decisive shifts in the history of Western aesthetics, exploring the metamorphosis of films in the age of individual media, when the public is increasingly free but also increasingly resistant to the emotive force of the pictures flashing around us. Moving deftly from philosophy of mind to film theory, from architectural practice to ethics, from Leon Battista Alberti to Orson Welles, Gabriele Pedullà examines the revolution that is reshaping the entire system of the arts and creativity in all its manifestations.
SHE WAS ALL KINDS OF WRONG FOR A MAN TRYING TO DO THE RIGHT THING She moved like poetry and wore her sensuality like a second skin. Blond, beautiful Brenda York could make a good cop cross the line. And when that cop was Dax Cavanaugh, on the trail of a missing child, it was an all-out war between duty and desire. And desire was winning. Thrown together with the detective searching for her kidnapped student, Brenda couldn't ignore the sexual tension simmering between them. But what would happen once Dax learned she was carrying another man's child? Was their love strong enough to make them forget everything but the need to be together at any cost?
How the Murder of More Than Two Million Jews Was Carried Out—In Broad Daylight Based on a decade of work by Father Patrick Desbois and his team at Yahad–In Unum that has culminated to date in interviews with more than 5,700 neighbors to the murdered Jews and visits to more than 2,700 extermination sites, many of them unmarked. One key finding: Genocide does not happen without the neighbors. The neighbors are instrumental to the crime. In his National Jewish Book Award–winning book The Holocaust by Bullets, Father Patrick Desbois documented for the first time the murder of 1.5 million Jews in Ukraine during World War II. Nearly a decade of further work by his team, drawing on interviews with neighbors of the Jews, wartime records, and the application of modern forensic practices to long-hidden grave sites. has resulted in stunning new findings about the extent and nature of the genocide. In Broad Daylight documents mass killings in seven countries formerly part of the Soviet Union that were invaded by Nazi Germany. It shows how these murders followed a template, or script, which included a timetable that was duplicated from place to place. Far from being kept secret, the killings were done in broad daylight, before witnesses. Often, they were treated as public spectacle. The Nazis deliberately involved the local inhabitants in the mechanics of death—whether it was to cook for the killers, to dig or cover the graves, to witness their Jewish neighbors being marched off, or to take part in the slaughter. They availed themselves of local people and the structures of Soviet life in order to make the Eastern Holocaust happen. Narrating in lucid, powerful prose that has the immediacy of a crime report, Father Desbois assembles a chilling account of how, concretely, these events took place in village after village, from the selection of the date to the twenty-four-hour period in which the mass murders unfolded. Today, such groups as ISIS put into practice the Nazis’ lessons on making genocide efficient. The book includes an historical introduction by Andrej Umansky, research fellow at the Institute for Criminal Law and Criminal Procedure, University of Cologne, Germany, and historical and legal advisor to Yahad-In Unum.
Yehling explores a world without the many masks of fear and self-trickery that people wear for acceptance and survival, a world in which they reveal their deepest selves. This collection also features a few selections written in previously forgotten Ancient Greek poetry forms, as well as a series of new challenging and entertaining essays.
BABY-PROOF—CHILDPROOF—BULLETPROOF, THE ROLE OF PARENTS HAS NEVER BEEN GREATER. Roaming unabated, a serial pedophile spent every waking moment pacifying his inner demons. Combatting illicit sexual cravings, like self-medicating an incurable disease, required daily heavy doses of hardcore pornography. A chilling account of an eight-year-old child kidnapped and brutally murdered. Rising up from a rural California town and striking back, a world-wide chase ensued for a sociopath gone mad. No respecter of human rights—a child's life. Leaving the United States and spanning half the globe, the hunt would never end until coming face-to-face with every parent's worst nightmare. A harrowing true-crime story grippingly told by a team of detectives left standing. The story of Maria Piceno is a testament of courage and faith—under fire. This special child wouldn't go quietly into the night. Out of life's hardest lessons, comes unforgettable sweet tender moments. Anyone that has loved a child—this is a must read, no one can afford to miss. You'll never be the same: WHEN TOUCHED BY A CHILD
Artistic modernism. To most of us it would seem a separate universe with its own esoteric intention and logic. What Lars Holger Holm shows in this essay, however, is how intimately the development of various modern artistic idioms, and their theoretical underpinnings, have been linked to concomitant social revolutions and to the highly politicised, theoretical, even racial agendas, entertained by people in the highest places. He also demonstrates how big money has thoroughly perverted art and artists, turning the latter into simple con men performing their charades to a whole world of spectators, manipulated by financial institutions, press, politicians and the media alike into believing that the contemporary art scene really ought to have some kind of meaning... And it does. Only, it's not artistic but exclusively financial and political.
The latest book from "the most despicable philosopher in the West" (New Republic) considers the new dangers and radical possibilities set in motion by advances in Big Tech. In recent years, techno-scientific progress has started to utterly transform our world--changing it almost beyond recognition. In this extraordinary new book, renowned philosopher Slavoj Žižek turns to look at the brave new world of Big Tech, revealing how, with each new wave of innovation, we find ourselves moving closer and closer to a bizarrely literal realization of Marx's prediction that "all that is solid melts into air." With the automation of work, the virtualization of money, the dissipation of class communities, and the rise of immaterial, intellectual labor, the global capitalist edifice is beginning to crumble, more quickly than ever before--and it is now on the verge of vanishing entirely. But what will come next? Against a backdrop of constant socio-technological upheaval, how could any kind of authentic change take place? In such a context, Žižek argues, there can be no great social triumph--because lasting revolution has already come into the scene, like a thief in broad daylight, stealing into sight right before our very eyes. What we must do now is wake up and see it. Urgent as ever, Like a Thief in Broad Daylight illuminates the new dangers as well as the radical possibilities thrown up by today's technological and scientific advances, and their electrifying implications for us all.
The winner of four major awards, including the National Book Critics Circle Award and the T. S. Eliot Prize, Mark Doty has established himself as one of the most courageous and eloquent poets of our time. The University of Illinois Press is proud to present this one-volume edition of Doty's first two collections of poetry, Turtle, Swan and Bethlehem in Broad Daylight. Long out of print, Turtle, Swan and Bethlehem in Broad Daylight brought Doty to critical attention as the first post-Stonewall gay poet to emerge as a major voice in American letters. Stories of paradise, pageant, and fugitive peace course through these pages are lit by Doty's visions of the architecture and artifice of a lush world. Exploring the forms of remembering and inventing, Doty affirms that, from the first loss, we preserve by naming.
