Artistic modernism. To most of us it would seem a separate universe with its own esoteric intention and logic. What Lars Holger Holm shows in this essay, however, is how intimately the development of various modern artistic idioms, and their theoretical underpinnings, have been linked to concomitant social revolutions and to the highly politicised, theoretical, even racial agendas, entertained by people in the highest places. He also demonstrates how big money has thoroughly perverted art and artists, turning the latter into simple con men performing their charades to a whole world of spectators, manipulated by financial institutions, press, politicians and the media alike into believing that the contemporary art scene really ought to have some kind of meaning... And it does. Only, it's not artistic but exclusively financial and political.
How the Murder of More Than Two Million Jews Was Carried Out—In Broad Daylight Based on a decade of work by Father Patrick Desbois and his team at Yahad–In Unum that has culminated to date in interviews with more than 5,700 neighbors to the murdered Jews and visits to more than 2,700 extermination sites, many of them unmarked. One key finding: Genocide does not happen without the neighbors. The neighbors are instrumental to the crime. In his National Jewish Book Award–winning book The Holocaust by Bullets, Father Patrick Desbois documented for the first time the murder of 1.5 million Jews in Ukraine during World War II. Nearly a decade of further work by his team, drawing on interviews with neighbors of the Jews, wartime records, and the application of modern forensic practices to long-hidden grave sites. has resulted in stunning new findings about the extent and nature of the genocide. In Broad Daylight documents mass killings in seven countries formerly part of the Soviet Union that were invaded by Nazi Germany. It shows how these murders followed a template, or script, which included a timetable that was duplicated from place to place. Far from being kept secret, the killings were done in broad daylight, before witnesses. Often, they were treated as public spectacle. The Nazis deliberately involved the local inhabitants in the mechanics of death—whether it was to cook for the killers, to dig or cover the graves, to witness their Jewish neighbors being marched off, or to take part in the slaughter. They availed themselves of local people and the structures of Soviet life in order to make the Eastern Holocaust happen. Narrating in lucid, powerful prose that has the immediacy of a crime report, Father Desbois assembles a chilling account of how, concretely, these events took place in village after village, from the selection of the date to the twenty-four-hour period in which the mass murders unfolded. Today, such groups as ISIS put into practice the Nazis’ lessons on making genocide efficient. The book includes an historical introduction by Andrej Umansky, research fellow at the Institute for Criminal Law and Criminal Procedure, University of Cologne, Germany, and historical and legal advisor to Yahad-In Unum.
England, 1805 What will a libertine look like? A “real” libertine? That's what Victoria asks herself, after years of forbidden reading at boarding school, when she discovers that Jared Lennox, brother-in-law of her brother-in-law and notorious London libertine, is staying with her at the Killmore mansion. Injured in a duel, the young man is practically segregated in his rooms... what harm could there be in sneaking up on him, just to have a peek? What was supposed to be a little stunt without consequences is only the beginning of a series of misunderstandings and misinterpretations that seems to lead the couple, step by step, towards an inexorable altar. But will the idea of a shotgun wedding be so unpleasant for the two? Under the watchful eye of the formidable Aunt Erinyes, who is determined to separate what God has not yet united, if she deems it inappropriate, Victoria and Jared's will be a journey towards getting to know each other, but above all towards growing self-awareness. A tale from another time. A love story out of time. An aunt everyone wishes they had.
The multiplicity of the self and the inaccessibility of truth are commonplaces of contemporary thought. But in Seeing Things Hidden they become key features of a philosophy of history that reunites emancipatory political theory with the apocalyptic tradition. Apocalyptic is the revelation of things hidden. But what does it mean to be hidden? And why are things hidden in the first place? By gently teasing out the meanings of hiddenness, this book develops a new theory of apocalyptic and explores its relation to the writings of Kant, Hegel, Benjamin and Derrida. Exploiting affinities between the work of Lukács and recent American philosophers like Rorty and Cavell, Bull argues that the central dynamic of late modernity is the coming into hiding of the contradictory identities generated through political and social emancipation. Drawing on analytic and Continental philosophy he articulates the most ambitious philosophy of history since Francis Fukuyama's The End of History, presenting fresh interpretations of such icons of modernity as Hegel's master-slave dialectic, Benjamin's angel of history, Du Bois's concept of double consciousness, and Rawls's veil of ignorance.
"Hiding in Plain Sight tells the story of the global effort to apprehend the world's most wanted fugitives. Beginning with the flight of an estimated thirty thousand Nazi war criminals after the Second World War, then moving on to the question of justice following the recent Balkan wars and the Rwandan genocide, and ending with the establishment of the International Criminal Court and America's pursuit of suspected terrorists in the aftermath of 9/11, the book explores the range of diplomatic and military strategies--both successful and unsuccessful--that states and international courts have adopted to pursue and capture war crimes suspects. It is a story fraught with broken promises, backroom politics, ethical dilemmas, and daring escapades--all in the name of international justice and human rights. In this exhaustively researched and compelling written work of political and judicial history, the authors argue that while the legal and operational regimes needed to apprehend and deliver suspected war criminals to justice are largely in place, the political will on the part of states to make arrests happen in a consistent and apolitical manner remains elusive. And until this situation is rectified, murderers will get away with murder, and torturers will retire with pensions"--Provided by publisher.
"Big Game and Pygmies" is the fascinating account of Cuthbert Christy's experiences in the Central African forests in search of a tribe called the Okapi. Cuthbert Christy (1863 - 1932) was a British zoologist and doctor who embarked on many explorations of Central Africa in the early 20th century. He is also well known due to his extensive work on sleeping sickness. This volume primarily deals with his last and longest expedition into the Ituri Forest region of the Congo on behalf of the Belgian Government. Contents include: "The Ituri Forest", "The Ituri Forest (continued)", "The Equatorial Belt", "The Ituri Pygmies", "The Ituri Pygmies (continued)", "The Okapi", "The Okapi (continued)", "The African Elephant", "The African Elephant (continued)", "The African Elephant (continued)", "The African Elephant (continued)", etc. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with the original artwork and text.
From Homer to Sophocles and Greek Middle Comedy, and from Plato and Protagoras to Ovid, this volume features a panoramic and cross-generic overview of the diverse handling and ad hoc elaboration of the overarching literary notions of "time" and "space". The twenty-one contributions of this volume written by an international group of esteemed scholars provide an equal number of hermeneutic approaches to individual, distinct aspects of Greek and Latin literature. The volume is purposely designed not as a linear display of knowledge, but rather as an anthology of select paradigms that aim to demonstrate the multidimensional function and multifaceted role of the twin notions of "time" and "space" throughout ancient Greek and Latin literary texts. The volume opens with analyses of conspicuous cases from epic poetry, proceeds with examples from drama (tragedy and comedy), and concludes with diverse instances of chronotopes (empirical, imaginary, and even shifting ones), in various literary genres. The volume is of greatest relevance since it meets the cultural and theoretical trends of today’s Classics. It therefore will attract not only the interest of specialised Classicists but it is also intended for a wider general readership.
The Boy They Tried to Hide is the startling, true account about a troubled young boy who disappears into the woods by his house. Sometimes truth is stranger than fiction ... Shane Dunphy was working as a resource teacher in a rural town when he was approached by the mother of one of his pupils, seeking help. She is worried for her troubled young son, who has been found leaving the house late at night to go deep into the woods near their home. He has spoken of meetings with a friend, Thomas, but no one else has seen him or knows who he is. As Shane tries to discover what's going on, a sexual predator he helped bring to justice years before reappears. The man is looking to settle a score, and has picked someone close to Shane as his next victim. In The Boy They Tried to Hide, Shane Dunphy revisits cases he encountered during his time as a child protection worker and journalist and, in doing so, once again discovers that leaving the past behind is harder than it seems.
NEW YORK TIMES BESTSELLER With The Warded Man and The Desert Spear, Peter V. Brett surged to the front rank of contemporary fantasy, standing alongside giants in the field such as George R. R. Martin, Robert Jordan, and Terry Brooks. The Daylight War, the eagerly anticipated third volume in Brett’s internationally bestselling Demon Cycle, continues the epic tale of humanity’s last stand against an army of demons that rise each night to prey on mankind. On the night of the new moon, the demons rise in force, seeking the deaths of two men, both of whom have the potential to become the fabled Deliverer, the man prophesied to reunite the scattered remnants of humanity in a final push to destroy the demon corelings once and for all. Arlen Bales was once an ordinary man, but now he has become something more—the Warded Man, tattooed with eldritch wards so powerful they make him a match for any demon. Arlen denies he is the Deliverer at every turn, but the more he tries to be one with the common folk, the more fervently they believe. Many would follow him, but Arlen’s path threatens to lead to a dark place he alone can travel to, and from which there may be no returning. The only one with hope of keeping Arlen in the world of men, or joining him in his descent into the world of demons, is Renna Tanner, a fierce young woman in danger of losing herself to the power of demon magic. Ahmann Jardir has forged the warlike desert tribes of Krasia into a demon-killing army and proclaimed himself Shar’Dama Ka, the Deliverer. He carries ancient weapons—a spear and a crown—that give credence to his claim, and already vast swaths of the green lands bow to his control. But Jardir did not come to power on his own. His rise was engineered by his First Wife, Inevera, a cunning and powerful priestess whose formidable demon bone magic gives her the ability to glimpse the future. Inevera’s motives and past are shrouded in mystery, and even Jardir does not entirely trust her. Once Arlen and Jardir were as close as brothers. Now they are the bitterest of rivals. As humanity’s enemies rise, the only two men capable of defeating them are divided against each other by the most deadly demons of all—those lurking in the human heart. Look for Peter V. Brett’s complete Demon Cycle: THE WARDED MAN | THE DESERT SPEAR | THE DAYLIGHT WAR | THE SKULL THRONE | THE CORE Praise for The Daylight War “[Peter V. Brett] confirms his place among epic fantasy’s pantheon of greats amid the likes of George R. R. Martin, Steven Erikson, and Robert Jordan.”—Fantasy Book Critic “Brett’s prose and flow remain virtually flawless, providing for a smooth read during which you don’t feel guilty for skipping two meals so you can lie on the couch and keep reading.”—Fixed on Fantasy “The best book yet in The Demon Cycle. If you are looking for a great series, look no further.”—Roqoo Depot “After the phenomenal success of both The Warded Man and The Desert Spear, I was tentative about The Daylight War; surely it couldn’t get much better? Well, I was wrong. . . . This will be a strong contender for one of the best books of the year, even this early on.”—Jet Black Ink “Brett has his hooks in me and I want more of The Demon Cycle.”—Best Fantasy Books
