Embracing Beauty is about informing and teaching young girls that being beautiful does not mean that they have to wear the latest fashion, they don't have to be thin/skinny and they definitely don't have to have a certain look in order to be beautiful or feel beautiful. Beauty goes deeper than all these things.
Sometimes life comes at us fast and a sucker punch lands without any warning. In a split second, we can find ourselves in the midst of life-changing choices, insurmountable obstacles, and heartbreaking hardships. Yet even in the darkest of days, there are choices presented to each of us with the power to prompt life to change its course. Within thirty candid chapters of conflict and resolution, Margarete Cassalina shares compelling stories of loss and perseverance through obstacles with authenticity and humor. Each life crisis shared provides a valuable message of choices, decisions, and the power of teachable lessons. Throughout her presentation, Margarete reminds all of us that we are not defined by our pasts and have the strength within to push past years of self-doubt, unforeseen hurdles, and sorrow by taking action via a “take it or leave it” approach. Included are practical exercises, discussion prompts, questions, and resources for anyone desiring an in-depth exploration of their own personal growth and journey. Embracing the Beauty in the Broken is a thought-provoking collection of life crises that provides the inspiration, motivation, and confidence to move beyond our obstacles and live our best lives.
Intermingling architectural, cultural, and religious history, Louis Nelson reads Anglican architecture and decorative arts as documents of eighteenth-century religious practice and belief. In The Beauty of Holiness, he tells the story of the Church of England in colonial South Carolina, revealing how the colony's Anglicans negotiated the tensions between the persistence of seventeenth-century religious practice and the rising tide of Enlightenment thought and sentimentality. Nelson begins with a careful examination of the buildings, grave markers, and communion silver fashioned and used by early Anglicans. Turning to the religious functions of local churches, he uses these objects and artifacts to explore Anglican belief and practice in South Carolina. Chapters focus on the role of the senses in religious understanding, the practice of the sacraments, and the place of beauty, regularity, and order in eighteenth-century Anglicanism. The final section of the book considers the ways church architecture and material culture reinforced social and political hierarchies. Richly illustrated with more than 250 architectural images and photographs of religious objects, The Beauty of Holiness depends on exhaustive fieldwork to track changes in historical architecture. Nelson imaginatively reconstructs the history of the Church of England in colonial South Carolina and its role in public life, from its early years of ambivalent standing within the colony through the second wave of Anglicanism beginning in the early 1750s.
This book explores the poetic articulations of a shift from a transcendent to an immanent worldview, as reflected in the manner of evaluation of body and soul in Goethe’s Faust and Ḥāfiẓ’ Divan. Focusing on two lifeworks that illustrate their authors’ respective intellectual histories, this cross-genre study goes beyond the textual confines of the two poets’ Divans to compare important building blocks of their intellectual worlds.
Made Up exposes the multibillion-dollar beauty industry that promotes unrealistic beauty standards through a market basket of advertising tricks, techniques, and technologies. Cosmetics magnate Charles Revson, a founder of Revlon, was quoted as saying, "In the factory, we make cosmetics. In the store, we sell hope." This pioneering entrepreneur, who built an empire on the foundation of nail polish, captured the unvarnished truth about the beauty business in a single metaphor: hope in a jar. Made Up: How the Beauty Industry Manipulates Consumers, Preys on Women’s Insecurities, and Promotes Unattainable Beauty Standards is a thorough examination of innovative, and often controversial, advertising practices used by beauty companies to persuade consumers, mainly women, to buy discretionary goods like cosmetics and scents. These approaches are clearly working: the average American woman will spend around $300,000 on facial products alone during her lifetime. This revealing book traces the evolution of the global beauty industry, discovers what makes beauty consumers tick, explores the persistence and pervasiveness of the feminine beauty ideal, and investigates the myth-making power of beauty advertising. It also examines stereotypical portrayals of women in beauty ads, looks at celebrity beauty endorsements, and dissects the “looks industry.” Made Upuncovers the reality behind an Elysian world of fantasy and romance created by beauty brands that won’t tell women the truth about beauty.
This anthology introduces 50 legendary writers — Voltaire, Balzac, Baudelaire, Proust, more — through passages from The Red and the Black, Les Misérables, Madame Bovary, and other classics. Original French text plus English translation on facing pages.
This book develops the concept of affective nationalism - the banal affirmation of the national emerging in moments of encounter between different bodies and objects. Based on eight months of ethnographic field work, conducted between 2012 and 2014 in Azerbaijan, the book examines the ways in which moments of bodily encounter perpetuate banal enactments and experiences of national belonging and alienation. The book advances scholarship on nationalism and affect by suggesting to study nationalisms not as given, but as potential and emergent experiences of differently positioned bodies in a world divided into nations.
